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The plates

Illustrations in the archive and their sources

The historical images in the archive are reproduced from public-domain works and openly licensed photographs. Each is listed below with its maker, holding institution where known, licence and source. Each illustrates the subject of the entry in which it appears.

PlateWorkLicence
Saint Martin is knighted, c. 1317Simone Martini. Chapel of Saint Martin, Lower Basilica of San Francesco, Assisi · sourcePublic domain
Isis holding the Ankh to the face of Seti I, temple of Seti I, Abydos, thirteenth century BCPhotograph by Panegyrics of Granovetter · sourceCC BY-SA 2.0
Ankh with a Christian cross, Egypt, fifth to sixth century ADRoemer- und Pelizaeus-Museum, Hildesheim. Photograph by Brigade Piron · sourceCC BY-SA 4.0
Portrait of Plato, Roman copy after SilanionCapitoline Museums, Rome (MC 1377). Photograph by Marie-Lan Nguyen · sourcePublic domain
Marble head from Ostia, often identified as PlotinusMuseo Ostiense, Ostia Antica. Photograph by Sailko · sourceCC BY 3.0
Portrait of Murasaki Shikibu, late seventeenth centuryTosa Mitsuoki · sourcePublic domain
Opening pages of the Konya manuscript of al-Futuhat al-MakkiyyaAutograph of Ibn Arabi · sourcePublic domain
Dante and the Three Kingdoms, 1465Domenico di Michelino. Florence Cathedral · sourceCC0
Vitruvian Man, c. 1490Leonardo da Vinci. Gallerie dell’Accademia, Venice · sourcePublic domain
William Shakespeare, frontispiece of the First Folio, 1623Martin Droeshout · sourcePublic domain
Johann Sebastian Bach, 1748Elias Gottlob Haussmann · sourcePublic domain
Under the Wave off Kanagawa (The Great Wave), c. 1830–32Katsushika Hokusai. The Metropolitan Museum of Art · sourceCC0 (Met Open Access)
Mary Shelley, exhibited 1840Richard Rothwell · sourcePublic domain
Ernst Cassirer, c. 1935Unknown photographer · sourcePublic domain
Zora Neale Hurston, 1938Carl Van Vechten. Library of Congress · sourcePublic domain
Joseph Campbell at Feathered Pipe Ranch, Montana, late 1970sJoan Halifax · sourceCC BY 2.0
Alan Lomax at the Mountain Music Festival, Asheville, early 1940sUnknown photographer. Library of Congress · sourcePublic domain
Interior of the Pantheon, Rome, c. 1734Giovanni Paolo Panini. National Gallery of Art, Washington (1939.1.24) · sourceCC0
God as architect of the world, frontispiece of a Bible moralisée, c. 1220–30Unknown illuminator. Austrian National Library, Vienna (Cod. 2554) · sourcePublic domain
The nave of Hagia Sophia, looking west, 1852Lithograph by Louis Haghe after Gaspare Fossati. Library of Congress · sourcePublic domain
The British Museum: the interior of the Reading Room, in useWood engraving by G. F. Sargent. Wellcome Collection (V0013520) · sourceCC BY 4.0
Hildegard of Bingen receiving a vision, miniature from the Rupertsberg Scivias, twelfth century (manuscript lost 1945)Unknown illuminator · sourcePublic domain
The Ancient of Days, frontispiece to Europe a Prophecy (copy D), 1794William Blake. British Museum · sourcePublic domain
William Blake, 1807Thomas Phillips. National Portrait Gallery, London · sourcePublic domain
J. R. R. Tolkien in army uniform, 1916Unknown photographer · sourcePublic domain
Carl Gustav Jung, c. 1910, hand-coloured photograph (detail)Library of Congress, Prints and Photographs Division · sourcePublic domain
Carl Gustav Jung, c. 1910, hand-coloured photographLibrary of Congress, Prints and Photographs Division · sourcePublic domain
William Morris, 1870George Frederic Watts. National Portrait Gallery, London (NPG 1078) · sourcePublic domain
Strawberry Thief, printed textile designed 1883 (detail)William Morris · sourcePublic domain
A meeting of the Royal Society at Crane Court, London, with Isaac Newton in the chairWood engraving by J. Quartley, 1883. Wellcome Collection (L0013032) · sourceCC BY 4.0
Prometheus Moulding Man from Clay, sketch for the vestibule of the University of Copenhagen, c. 1845Constantin Hansen. Statens Museum for Kunst, Copenhagen (KMS3665) · sourcePublic domain
The Attainment: the Vision of the Holy Grail (detail), 1890sDesigned by Edward Burne-Jones and William Morris; woven by Morris & Co. Tapestry · sourcePublic domain
Hermes Mercurius Trismegistus, pavement panel, Siena CathedralDesigned by Giovanni di Stefano, 1488; remade in the nineteenth century · sourcePublic domain
Mercurius Trismegistus, from J.-J. Boissard, Tractatus posthumus de divinatione et magicis praestigiis (Oppenheim, 1615)Engraving by Johann Theodor de Bry. Biblioteca Nacional de España · sourcePublic domain
Tabula Smaragdina (the Emerald Tablet)Engraving by Matthäus Merian, c. 1618. Photograph commissioned by the Dutch Museum of Freemasonry · sourcePublic domain
Two-sided stela of pluriform Thoth, Roman Egypt, 1st–2nd century ADThe Metropolitan Museum of Art, 55.143 · sourceCC0 (Met Open Access)
Ceremonial implement in the shape of an ankh, EgyptThe Metropolitan Museum of Art, 30.8.29 · sourceCC0 (Met Open Access)
Relief with Onuris-Shu holding the ankh and was-sceptre, reign of Ptolemy II (285–246 BC)Walters Art Museum, Baltimore, 22.120 · sourcePublic domain
The Shabaka Stone, c. 710 BC, British Museum EA 498Photograph by CaptMondo, 2008 · sourceCC BY 2.5
Statue of Ptah, Third Intermediate Period, c. 1070–712 BCThe Metropolitan Museum of Art · sourceCC0 (Met Open Access)
The Opening of the Mouth, vignette from the Book of the Dead of Hunefer, c. 1275 BCBritish Museum EA 9901 · sourcePublic domain
The Great Library of Alexandria, an imaginative reconstructionEngraving after O. von Corven, nineteenth century · sourcePublic domain
Diocletian’s Column on the site of the Serapeum, AlexandriaPhotograph by Iris Fernandez, 2009, for the Institute for the Study of the Ancient World (AWIB-ISAW) · sourceCC BY 2.0
Icon of the First Council of Nicaea with the text of the CreedGreek Orthodox icon, unknown painter · sourcePublic domain
Nag Hammadi Codex II, folio 32, fourth centuryCoptic Museum, Cairo · sourcePublic domain
Opening of the Poimandres in a Greek manuscriptBiblioteca Nazionale Marciana, Venice, Gr. Z. 263 · sourcePublic domain
Saint Augustine in His Study, c. 1480Sandro Botticelli. Church of Ognissanti, Florence · sourcePublic domain
Cosimo de’ Medici the Elder, posthumous portrait, 1519–20Jacopo Pontormo. Uffizi Gallery, Florence · sourcePublic domain
Portrait of Marsilio Ficino, c. 1552–68Attributed to Cristofano dell’Altissimo · sourcePublic domain
Marsilio Ficino, Cristoforo Landino, Angelo Poliziano and Demetrios Chalkondyles, detail of the Annunciation to Zacharias, 1486–90Domenico Ghirlandaio. Tornabuoni Chapel, Santa Maria Novella, Florence · sourcePublic domain
Giovanni Pico della Mirandola, 1552–68Cristofano dell’Altissimo. Uffizi Gallery, Florence (Serie Gioviana). Photograph by Fabrizio Garrisi · sourceCC0
Giordano Bruno, engraved portraitJohann Georg Mentzel, early eighteenth century. Bildarchiv Austria · sourcePublic domain
Portrait of Michelangelo, c. 1545 (detail)Attributed to Daniele da Volterra. The Metropolitan Museum of Art · sourcePublic domain
The Creation of Adam, Sistine Chapel ceiling, c. 1511–12Michelangelo Buonarroti. Vatican City · sourcePublic domain
Isaac CasaubonUnknown artist. National Portrait Gallery, London · sourcePublic domain
The Apotheosis of Homer, 1827Jean-Auguste-Dominique Ingres. Musée du Louvre, Paris · sourcePublic domain
The Inspiration of the Poet, c. 1629–30Nicolas Poussin. Musée du Louvre, Paris · sourcePublic domain
Samuel Taylor Coleridge, 1814Washington Allston. National Portrait Gallery, London · sourcePublic domain
Pygmalion and Galatea, c. 1890Jean-Léon Gérôme. The Metropolitan Museum of Art, New York · sourceCC0
Jean Miélot at his desk, after 1456Jean Le Tavernier. Royal Library of Belgium, Brussels · sourcePublic domain
The scribe Ezra, Codex Amiatinus, before 716Monastery of Wearmouth-Jarrow, Northumbria. Biblioteca Medicea Laurenziana, Florence · sourcePublic domain
Diagram of the eye, Ten Treatises on the Eye, twelfth-century copyAfter Hunayn ibn Ishaq. Arabic manuscript · sourcePublic domain
Poggio Bracciolini, fifteenth centuryMiniature. Biblioteca Apostolica Vaticana, Urb. lat. 224 · sourcePublic domain
Elias Lönnrot, 1872Bernhard Reinhold · sourcePublic domain
The Forge of Vulcan, 1630Diego Velázquez. Museo del Prado, Madrid · sourcePublic domain
Laocoön, c. 1826–27William Blake. Engraving · sourcePublic domain
All Religions are One, Principle 7th, c. 1788William Blake. Relief etching · sourcePublic domain
All Religions are One, frontispiece, c. 1788William Blake. Relief etching. Huntington Library, San Marino · sourcePublic domain
Isis between Hermes Trismegistus and Moses, 1492–94Pinturicchio. Sala dei Santi, Borgia Apartments, Vatican · sourcePublic domain
Sculptors at Work, tomb of Rekhmire, Thebes, c. 1479–1425 BC (facsimile)Nina de Garis Davies. The Metropolitan Museum of Art · sourceCC0 (Met Open Access)
The Art of Painting, c. 1666–68Johannes Vermeer. Kunsthistorisches Museum, Vienna · sourcePublic domain
Ficino’s Pimander, manuscript dedicated to Lorenzo de’ MediciBiblioteca Medicea Laurenziana, Florence, Plut. 21.8 · sourcePublic domain
The opening of the Asclepius, late twelfth centuryBiblioteca Medicea Laurenziana, Florence, San Marco 341 · sourcePublic domain
The Trinity, c. 1425–27Andrei Rublev. Tretyakov Gallery, Moscow · sourcePublic domain
Sculpture, relief from the bell tower of Florence Cathedral, 1348–50Andrea Pisano. Photograph by Sailko · sourceCC BY 3.0
Kabir weaving, with two attendants, early eighteenth centuryMughal painting, unknown artist. British Museum, London (1920,0917,0.29) · sourcePublic domain
Plato’s Academy, Roman mosaic from Pompeii, first century BCMuseo Archeologico Nazionale, Naples (inv. 124545) · sourcePublic domain
Thomas Taylor, c. 1812Sir Thomas Lawrence · sourcePublic domain
The Muses Sarcophagus, first half of the second century ADRoman. Musée du Louvre, Paris (MR 880) · sourcePublic domain
Aristotle with a Bust of Homer, 1653Rembrandt van Rijn. The Metropolitan Museum of Art, New York · sourceCC0 (Met Open Access)
Lorenzo de’ Medici, c. 1533–34Giorgio Vasari. Uffizi Gallery, Florence · sourcePublic domain
Elohim Creating Adam, 1795William Blake. Tate, London · sourcePublic domain
Nataraja, Shiva as the Lord of Dance, c. 1000Bronze, Tamil Nadu, Chola period. Cleveland Museum of Art (1930.331) · sourceCC0
A page from a Rigveda manuscript in Devanagari scriptPhotograph by Ms Sarah Welch · sourceCC BY-SA 4.0
Dara Shikoh with three holy men, c. 1650Mughal painting. British Museum, London (1941,1010,0.4) · sourcePublic domain
The Flood Tablet, Tablet XI of the Epic of Gilgamesh, 7th century BCFrom Nineveh. British Museum, London. Photograph by Mike Peel · sourceCC BY-SA 4.0
First page of the Popol Vuh, copy by Francisco Ximénez, c. 1701Newberry Library, Chicago · sourcePublic domain
Sefer Yetzirah, first printed edition, Mantua, 1562Printed by Jacob ben Naphtali Gazolo · sourcePublic domain
The Triumph of Orthodoxy, icon, c. 1400Constantinople. British Museum, London · sourcePublic domain
The Building of the Temple, c. 1470–75Jean Fouquet, Antiquités judaïques. Bibliothèque nationale de France, Français 247 · sourcePublic domain
Zhuangzi dreaming of a butterfly, mid-sixteenth centuryLu Zhi · sourcePublic domain
The Mirror of the Whole of Nature and the Image of Art, 1617Johann Theodor de Bry, for Robert Fludd, Utriusque Cosmi Historia, Oppenheim · sourceCC0
Nicholas of Cusa as donor, fifteenth centuryAltarpiece of the chapel of the St. Nikolaus-Hospital, Bernkastel-Kues · sourcePublic domain
Tommaso Campanella, seventeenth centuryFrancesco Cozza · sourcePublic domain
Places for memory, 1533Johann Romberch, Congestorium artificiose memorie, Venice. Wellcome Collection · sourceCC BY 4.0
Amulet of the ankh, djed and was on a neb basket, 664–30 BCEgypt, Late Period to Ptolemaic Period. The Metropolitan Museum of Art, New York · sourceCC0